Wet Conceptualism in Cognitive Capitalism Part II

Symposium

What happens when an idea refuses to remain an idea?

This symposium examines how contemporary technology, information capitalism, and new forms of labor accelerate existing contradictions and ruptures. It proposes Wet Conceptualism as a conceptual art reconfigured for our times, addressing the extractive, often invisible relations of digitality, while opening toward cognitive, social justice, and planetary concerns.

In collaboration with Saas-Fee Summer Institute of Art and Levey Kwok.

Image: My Barbarian, Universal Declaration of Infantile Anxiety Situations Reflected in the Creative Impulse (2013).

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The symposium Wet Conceptualism in Cognitive Capitalism Part II builds on two initiatives formulated by the artist Warren Neidich that introduced and developed the concept: the exhibition Wet Conceptualism at The Opening Gallery (2022–23) in New York City, and the Saas-Fee Summer Institute of Art symposium From Dry to Wet Conceptual Art in Cognitive Capitalism, held in Paris in 2025. This new iteration of the school extends that trajectory, bringing together renowned artists, curators, and writers, and shifting the geographical focus to Brussels.

In cognitive capitalism, where the brain and the mind are the new factories of the 20th and 21st centuries, conceptual art becomes an essential force of resistance. Traditional Dry Conceptualism, which emerged in the late 1960s in response to industrial capitalism, is insufficient for today’s landscape of digitality. The symposium repositions Wet Conceptualism as a framework for addressing the extractive, often despotic relations of digitality and cognitive capitalism, opening conceptual art toward cognitive, social justice, and planetary concerns.

Belgian art history provides a fertile context for this inquiry. Its affinities with humor, absurdity, emotion, performance, materiality, and language make it an ideal conduit. Magritte’s La Clef des songes (1930) disrupts the relationship between words and objects through deliberately incongruous captions. In Broodthaers’s film La Pluie (1969), rain dissolves the text he writes during a performance staged in front of his Musée d’Art Moderne, Département des Aigles, connecting the fragility of language to affect and institutional critique. These themes resonate with the works of contemporary international artists, including Mary Kelly, Jef Geys, Patrick Van Caeckenbergh, Andrea Fraser, Lili Dujourie, and Eleanor Antin.

Speakers include: Ruth Anderwald (& Leonhard Grond), Nicolas Bourriaud, Jörg Heiser, Warren Neidich (director), Sarah Matia Pasqualetti, Alexandro Segade (My Barbarian), Dirk Snauwaert, Barbara Vanderlinden, and Pieter Vermeulen.

The symposium will be accompanied by the exhibition Wet Conceptualism at Levey Kwok in Brussels, until Saturday 19 December 2026. 

Program of the day:

Part I

  • 11:00 – 11:30: Introductory remarks by Frédéric de Goldschmidt and Warren Neidich
  • 11:30 – 12:00: Sarah Matia Pasqualetti
  • 12:00 – 12:30: Dirk Snauwaert
  • 12:30 – 13:00: Discussion

Part II

  • 14:00 – 14:30: Pieter Vermeulen
  • 14:30 – 15:00: Nicolas Bourriaud
  • 15:00 – 15:30: Ruth Anderwald (& Leonhard Grond)
  • 15:30 – 16:00: Discussion

Part III

  • 16:30 – 17:00: Alexandro Segade (My Barbarian)
  • 17:00 – 17:30: Jörg Heiser
  • 17:30 – 18:00: Barbara Vanderlinden
  • 18:00 – 18:30: Discussion

The symposium is fully booked and the waiting list is closed. You can still follow the full program online via our livestream shared on our YouTube channel. Thank you for your interest!

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